when rewriting your blog post, consider having a friend or family member read your rough draft, and then have them ask specific questions about your ideas. perhaps you can "teach" them about the poem; this way you can work out your ideas and present them clearly. it is important that you develop clarity in your writing, and this can only happen through multiple draft writing. this post is due tonight at midnight.
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In William Cullen Bryant’s “To a Waterfowl”, it is evident that many Romantic philosophical ideas are reflected through the poem. Bryant writes with such strong imagery of nature, which draws comparisons to the beliefs of early Romantic thinkers, such as Jean-Jacques Rousseau. Romantics believe that nature provides humans with enough to live a pleasant life; in addition, Romantics think that civilization simply destroys all of the goods that were provided by God. Rousseau once stated that, “Man in a state of nature is a ‘noble savage.’ But a child growing up in a so-called civilized society is taught to curb his natural instincts.” People began to become more civilized due to the beliefs of Enlightenment thinkers, who had a very strong hold on society. Romantics, who have opposite views as many Enlightenment philosophers, believe that instincts and emotions dominate reason, while Enlightenment philosophers think otherwise. In the poem, Bryant proclaims that, “There is a Power whose care teaches thy way along that pathless coast, the desert and illimitable air.” This states that the Power, meaning God, placed humans in nature with the tools and instincts to survive, a Romantic belief. It is very clear that William Cullen Bryant preaches a myriad of Romantic ideas throughout his poem “To a Waterfowl.”
Fahrenheit 9/11 on movies we might like? Give me a break Mr. Farley. How about There's Something About Mary? Or perhaps, the movie of my life, Full Metal Jacket? Step it up.
-The Phantom Blogger
In his poem "To a Waterfowl" William Cullen Bryant uses symbolism to depict the Romantic idea the life lessons can be learned from nature. The waterfowl represents nature. It is flying its course, not allowing itself to be hindered by its surroundings. Bryant wonders where the bird is going, and why its is going. The waterfowl is allowing itself to be guided by instinct, which keeps it alive. In the fourth stanza, Bryant says "There is a Power whose care teaches thy way along that pathless coast." The power he refers to is instinct, which directs the birds every move. Also in the fourth stanza, Bryant writes "Lone wandering, but not lost." This shows that the bird is right in following its natural instincts. Bryant also indicates explicitly that he has learned a lesson from the waterfowl. "Deeply hath sunk the lesson thou hast given and shall not soon depart," he says in the seventh stanza. In the final stanza he also illustrates that he too will live by his instincts. In this poem, the waterfowl is a powerful symbol that reveals much about Romantic ideals.
The theme in William Cullen Bryant’s “To a Waterfowl” exhibits romantic characteristics in its mysterious nature. Throughout the poem, Cullen references to somewhat of an eternal consciousness, which guides all beings through the path of life. The poem states specifically, “He, who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright”(Lines 29-32). The reference to “He” clearly means to represent this eternal consciousness. In saying, “Will lead my steps aright”, Bryant makes it evident that this eternal consciousness guides beings through the ins and outs of life. This demonstrates a central characteristic of Hindu beliefs, that of Brahman. In the Isha Upanishads it is stated, “Without the Self, never could life exist”(Line 4). This clear reference to Brahman makes a parallel to the ever-present eternal consciousness described in Bryant’s poem. This mysterious nature represented throughout Bryant’s “To a Waterfowl” displays central romantic characteristics.
^^^ me i just didnt know the name would be that long. for those curious it says some call me dirty beef but i prefer clean pork.
In his poem “To a Waterfowl” poet William Cullen Bryant expresses themes that reflect Romanticism and relate to Hindu teachings. His description of a migrating bird illustrates the journey one makes throughout life. The bird is going to an unknown destination, similarly to the speaker, for when the speaker dies, his blind to what lies ahead. Although the speaker does not know what to expect when this life is over; Bryant suggests that the destination after death is a state of peace, rest, and happiness. The line in the poem “And soon that toil shall end; soon shalt thou find a summer home, and rest”, presents a metaphor that represents the final resting place, in other words what lies after death. Bryant’s theme of a final destination of peace for all beings is illustrated by the waterfowl’s journey, which is similar to the Hindu and Romantic perspective that god will “lead [them] by the good path to eternal joy” (Isha Upanishad). Romantic’s believe that once they die, they will become one with the elements and the energy in the body will disperse throughout the universe. It is with this belief that the migration of the waterfowl represents the theme of death and the afterlife.
In William Cullen Bryant’s poem, “To a Waterfowl,” the mystery of death is introduced into the poem by use of symbolism. The waterfowl, soaring across the vast sky, represents an individual and one’s lifelong journey. Therefore, when Bryant wrote, “And soon that toil shall end; soon shalt thou find a summer home, and rest,” he was referring to the transition from life to the hereafter (21-22). Bryant’s romantic perspective is evident in this excerpt; however, the poem illustrates many Buddhist and Hindu beliefs too. The Buddhist/Hindu belief about the afterlife is that an enlightened one will become one with Brahman—an infinite and immanent concept that all is part of—and lose all attachment to reason, which is needless for enlightened individuals believing in the Self. The place of rest described in “To a Waterfowl” seems especially similar to the instance when one’s life will “merge into the Immortal when [one’s] body is returned to ashes” which in basic terms means becoming one with Brahman (Isha Upanishad). Bryant’s “To a Waterfowl,” contains an obvious romantic perspective that appeals to the deep thinkers while it also illustrates Buddhist/Hindu beliefs of academic and spiritual importance too.
William Cullen Bryant’s poem “To a Waterfowl” exemplifies the Romantic theme recognizing the connection between nature and humanity. The speaker’s confusion about life lifts after he observes his mentor—the bird. Like Rousseau’s noble savage, the speaker feels most safe and knowledgeable at one with nature and relying upon instinct. It is the noble savage who connects to his instinct over the rationalization of civilized society—it is when his mental state is most content. Upon noting the bird’s flight, the speaker learns a life lesson. He states, “There is a Power whose care/Teaches thy way along that pathless coast—/The desert and illimitable air—/ Lone wandering, but not lost.” A bird’s instinct to fly south for the winter is crucial for its survival; this instinct comes from an internal consciousness which Bryant refers to as a “Power”. He recognizes the bird’s reliance on instinct and its success in survival. Ultimately, the speaker himself understands his path. He thinks, “He who…Guides through the boundless sky thy certain flight/.../Will lead my steps aright.” The intuition that the bird uses while migrating is the same power the speaker will utilize during his pathless journey.
In William Cullen Bryant’s “To a Waterfowl” death is entirely conspicuous. The bird in the piece flies by the light of his own instinct, which he relies on to guide him safely from the every-hungry hunter below. Said hunter parallels death in the poem. The bird continues to fly even though death is always just below. The romantic idea of a connection with nature mirrors the bird’s natural aptitude to fly away from death. It is the bird’s connection with nature, its natural instinct that drives in to fly away from the precarious man below. In Buddhist and Hindu beliefs pure consciousness must involve unadulterated peace with one’s self. “Those who deny the Self are born again. Blind to the Self, enveloped in darkness, utterly devoid of love for the Lord,” the Upanishad’s outline that denying an individual’s consciousness will keep them from enlightenment and create a lack of fulfillment in their life. If the waterfowl were to deny it’s inclination to guide its way from harm it would be denying its own enlightenment. Therefore the bird has reached its enlightened consciousness by following its instincts. When the bird’s mind became clean of reason, when the fear of death ceased to keep the bird from flying instinctively it met the Buddhist/Hindu state of enlightenment and therefore met the romantic idea of true connection with its own nature.
Many famous writers became politically active as he got older and took part in the Romantic Movement in American literature. For example, William Cullen Bryant incorporated his spiritual interpretations of nature throughout his works. He uses symbolism to portray his ideals of the relationship between human instinct and nature in his poem To a Waterfowl. The poem begins with a bird in flight and a hunter below. The fowl flies to safety and the narrator seems to make a reference to a “higher power” that guided it away from the hunter. Bryant states, “There is a Power whose care teaches thy way along that pathless coast…” (lines 13-14). Perhaps he is trying to illustrate the idea that lack the intellectual capacity to know what is in their best interest, but there is a Power that guides them to safety at times. One may make conscience decisions, however there is no real force within them that paves the way. Humans, in part, learn the ways of the world through a trial and error process. The ideas of Bryant parallel with those of Benedict Spinoza. Spinoza suggested that God and nature are one in the same. By connecting oneself to nature, they are connecting themselves to God. Bryant stated that “nature speaks to the human imagination and that the natural world is the visible face of God.” This demonstrates the direct correlation between mankind's thought process and the natural world. This idea that humans will always be in the presence of a power beyond conception is the driving force behind the poem. The waterfowl is a symbol of mankind. There was a hunter below him, yet the fowl found its way to safety or its “summer home.” In life, humans may face challenges and make unintelligent choices. However, the Power will not leave them to fall. It will only leave them long enough so that they can learn from their mistakes.
mr farley- the post above had a typo in it. this is the correct one:
Many famous writers became politically active and took part in the Romantic Movement in American literature. For example, William Cullen Bryant incorporated his spiritual interpretations of nature throughout his works. He uses symbolism to portray his ideals of the relationship between human instinct and nature in his poem To a Waterfowl. The poem begins with a bird in flight and a hunter below. The fowl flies to safety and the narrator seems to make a reference to a “higher power” that guided it away from the hunter. Bryant states, “There is a Power whose care teaches thy way along that pathless coast…” (lines 13-14). Perhaps he is trying to illustrate the idea that lack the intellectual capacity to know what is in their best interest, but there is a Power that guides them to safety at times. One may make conscience decisions, however there is no real force within them that paves the way. Humans, in part, learn the ways of the world through a trial and error process. The ideas of Bryant parallel with those of Benedict Spinoza. Spinoza suggested that God and nature are one in the same. By connecting oneself to nature, they are connecting themselves to God. Bryant stated that “nature speaks to the human imagination and that the natural world is the visible face of God.” This demonstrates the direct correlation between mankind's thought process and the natural world. This idea that humans will always be in the presence of a power beyond conception is the driving force behind the poem. The waterfowl is a symbol of mankind. There was a hunter below him, yet the fowl found its way to safety or its “summer home.” In life, humans may face challenges and make unintelligent choices. However, the Power will not leave them to fall. It will only leave them long enough so that they can learn from their mistakes.
okay take three: i found another typo. my bad.
Many famous writers became politically active as he got older and took part in the Romantic Movement in American literature. For example, William Cullen Bryant incorporated his spiritual interpretations of nature throughout his works. He uses symbolism to portray his ideals of the relationship between human instinct and nature in his poem To a Waterfowl. The poem begins with a bird in flight and a hunter below. The fowl flies to safety and the narrator seems to make a reference to a “higher power” that guided it away from the hunter. Bryant states, “There is a Power whose care teaches thy way along that pathless coast…” (lines 13-14). Perhaps he is trying to illustrate the idea that people lack the intellectual capacity to know what is in their best interest, but there is a Power that guides them to safety at times. One may make conscience decisions, however there is no real force within them that paves the way. Humans, in part, learn the ways of the world through a trial and error process. The ideas of Bryant parallel with those of Benedict Spinoza. Spinoza suggested that God and nature are one in the same. By connecting oneself to nature, they are connecting themselves to God. Bryant stated that “nature speaks to the human imagination and that the natural world is the visible face of God.” This demonstrates the direct correlation between mankind's thought process and the natural world. This idea that humans will always be in the presence of a power beyond conception is the driving force behind the poem. The waterfowl is a symbol of mankind. There was a hunter below him, yet the fowl found its way to safety or its “summer home.” In life, humans may face challenges and make unintelligent choices. However, the Power will not leave them to fall. It will only leave them long enough so that they can learn from their mistakes.
OH. MY. GOD. take four. i keep making typos. i'm sorry. this is my LAST one. i swear.
Many famous writers became politically active and took part in the Romantic Movement in American literature. For example, William Cullen Bryant incorporated his spiritual interpretations of nature throughout his works. He uses symbolism to portray his ideals of the relationship between human instinct and nature in his poem To a Waterfowl. The poem begins with a bird in flight and a hunter below. The fowl flies to safety and the narrator seems to make a reference to a “higher power” that guided it away from the hunter. Bryant states, “There is a Power whose care teaches thy way along that pathless coast…” (lines 13-14). Perhaps he is trying to illustrate the idea that people lack the intellectual capacity to know what is in their best interest, but there is a Power that guides them to safety at times. One may make conscience decisions, however there is no real force within them that paves the way. Humans, in part, learn the ways of the world through a trial and error process. The ideas of Bryant parallel with those of Benedict Spinoza. Spinoza suggested that God and nature are one in the same. By connecting oneself to nature, they are connecting themselves to God. Bryant stated that “nature speaks to the human imagination and that the natural world is the visible face of God.” This demonstrates the direct correlation between mankind's thought process and the natural world. This idea that humans will always be in the presence of a power beyond conception is the driving force behind the poem. The waterfowl is a symbol of mankind. There was a hunter below him, yet the fowl found its way to safety or its “summer home.” In life, humans may face challenges and make unintelligent choices. However, the Power will not leave them to fall. It will only leave them long enough so that they can learn from their mistakes.
An example of a piece of fantastic romantic poetry can be none other than William Cullen Bryant's "To A Waterfowl". There are many excellent reasons for this claim within the poem, through the style and through the philosophy that poem reflects. For example, the theme of this poem is that a higher power is controlling the waterfowl and guiding it to safety. Bryant compares this to life and mentions that power "Guides through the boundless sky thy certain flight/
In the long way that I must tread alone" which in effect acts as the metaphor for his struggles. This is an example of romanticism, as if this were an example of Enlightenment, there would be many examples of a more logical explanation to life and more rational approach to this. Mainly, the poem would be about how does the bird fly and what chemicals causes its brain to function that way or some objective goal such as that. On the contrary, the romantic goal of the poem would be to wonder why the bird is flying thus there is a certain style that Bryant has approached to writing this poem. Romantic philosophy is also coincidentally like the Upanishads and Hindu philosophy. "To a Waterfowl" is no different. The Hindus believe in Brahman and Karma controls everything, as the Upanishads tell us.There are parallels between this philosophy and the Isha Upanishad, more specifically "Those who deny the Self are born again, Blind to the Self, enveloped in Darkness..." this has a basis in "To a Waterfowl" as one who is not conscious of nature will be like the hunter and Bryant is, in a way advising against that philosophy.
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uglier than edgar allen poe
William Cullen Bryant’s poem To a Waterfowl shows many ideas of romantic thinkers. In the poem Bryant is comparing the decisions people make in their life to the migration of a bird. As people progress through their lives they come across difficult decisions they have to make, and sometimes have trouble making them. Birds always know where to go because they act on animal instinct. In the poem Bryant says “There is a Power” that guides the birds. The definition of the “Power” is debatable. Some would call it God’s will, others call it natural instinct. By following the ideas of the philosopher Spinoza, who believes everything is God and God is everything, then the natural instinct is God. If you follow the Romantic ideas of philosophy, which states that the closer someone is to the universal consciousness, the closer someone is to complete understanding, one could argue that birds and other animals are more enlightened than humans. They have reached the stage of enlightenment where they do not think about what to do. The already know.
“To a Waterfowl” by William Cullen Bryant correlates directly to many Romantic ideas, mainly that of a connection to nature. The poem is about a bird on its annual migration, symbolizing life. The bird may appear to be wandering aimlessly and alone, but he states that, “There is a Power whose care teaches thy way.” This is a belief that there is a universal consciousness that controls all beings and guides us throughout life. This belief strongly reflects those of the Hindu’s belief in Brahman. “The Isha Upanishad” states that, “Without the Self, never could life exist.” This refers to Brahman, stating that he is the reason for existence, and that all are simply figments of his consciousness. Bryant also states that, “He, who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright.” This relates the birds “certain” flight to himself, stating that there is a universal consciousness guiding the bird and himself to their destined place. He feels there is an eternal being guiding all through this percieved portion of life, and into whatever may transpire after death.
While reading William Cullen Bryant’s works, it is clear that he is a Romantic poet because of his allusion to nature and its connection to human life. In his poem, “To a Waterfowl” he explains how nature can teach valuable lessons. Bryant writes, “Vainly the fowler’s eye might mark thy distant flight to do thee wrong” (Bryant 5). In this quotation, the fowler symbolizes the ignorant and unimaginative individual whereas the waterfowl symbolizes the enlightened and progressive person. The bird relies on its intuition and has achieved bliss. The fowler mocks the bird that does not rely on logic believing that reason alone will triumph. From the hunter’s method of attacking the bird, Bryant is able to conclude that the unenlightened individual will always try to overpower those seeking enlightenment. From observing the relationship between hunter and prey, Bryant realizes he must also rise above ignorant people in order to attain ultimate bliss. He sees that he must free himself from the mundane approach to life and instead rely on his creative instincts. The rhythm of nature guides Bryant throughout life’s journey.
William Cullen Bryant uses symbolism to depict Rousseau’s philosophies pertaining to nature in his poem, “To a Waterfowl.” The waterfowl symbolizes a man in his journey from the values of civilization to becoming a noble savage by using instinct and intuition instead of reason. Rousseau states that civilization is corruptive because it teaches a child to repress their natural feelings and interests, which results in an alienation from true self. The waterfowl finds its way home from relying solely on instinct. This animal symbolizes a man trying to find his way back to nature or his primitive state by using instinct and intuition instead of reason. Bryant writes, “Thou’rt gone, the abyss of heaven hath swallowed up thy form.” This can be interpreted as how lost man has become in his civilization and does not know how to use his natural abilities. Bryant also writes, “He who from zone to zone, guides through a boundless sky thy certain flight”. The boundless sky could represent the civilization of which man is trying to break free and the certain flight is his journey to becoming a “noble savage” . The Romantic theme of the connection between nature and man combined with Jean-Jacques Rousseau’s philosophies are significant in William Cullen Bryant’s poem, “To a Waterfowl.”
While reading “To a Waterfowl”, by William Cullen Bryant, the element of symbolism stands out profoundly. A reader with knowledge of the time- period in which the poem was written easily recognizes the waterfowl as a symbol for Bryant, himself. Bryant describes the bird as being "lone wandering, but not lost." In the poem, a “Power” is credited with guiding this bird through the ups and downs of its seemingly lone journey. Bryant, unaware of this at the time, holds extremely similar beliefs to those of the Hindus residing in the East. The Upanishads, a book Hindus consider holy, quotes “Lead me from the unreal to the Real. Lead me from the darkness to light. Lead me from death to immortality.” This excerpt refers to a longing to be guided into an enlightened state, regardless of however minimal one’s companions might be on this journey. Being one of the few romantics in the West at the time he writes the poem, Bryant connects his own feelings of purposeful solitude to those of the bird. He feels the "Power whose care teaches [the bird's] way along that pathless coast" is the same one that gives him courage to proudly display his romantic views in a society where they are scarcely accepted.
W.C Bryant uses the poem “To a Waterfowl” to illustrate the Romantic theme of a death as a beginning to one’s eternal consciousness. In this poem the waterfowl is symbolic of this, the waterfowl represents a human. The waterfowl, like humans, has to undergo many hardships and obstacles to fulfill ones purpose and reach an eternal consciousness, “and soon that toil shall end; soon shalt thou find a summer home and rest” (Bryant, 21-22). The “summer home” referred to in the previous line is symbolic of death, and the “rest” symbolic of an eternal consciousness. This idea of an eternal consciousness is also exemplified in the Upanishads, or Hindu text. The Upanishads state that one should “Cross the sea of death through action and enter into immortality” (The Isha Upanishad 33-34). This immortality refers to the same eternal consciousness that is referred to in “To a Waterfowl”. Like Bryant nature is used as a mean for illustrating this eternal consciousness.
William Cullen Bryant's "To A Waterfowl" has many objects of Nature to represent the spiritual journey in the Romantic theory of life. The waterfowl in this poem illustrates the human living his life by instinct. The idea of the bird heading south in the winter is like a sanctuary. This sanctuary can be illustrated as the humans idea of a peaceful existence beyond death. Spinoza's idea that everything is God means that the idea of instinct is in fact God himself. The waterfowl is controlled by instinct or God, to the haven in which it turns to, to find serenity. William Bryant's comparison of the human and nature instinct is illustrated in many of the lines of his poem such as, "In the long way that i must tread alone, will lead my steps aright." This quotation illustrates the idea of how humans and all things in nature are led by instinct. Just like the waterfowl being led to the south an illusion of death where the life of the fowl is coming closer and closer to its haven, just as humans are coming closer to their sanctuary everyday.
All is One, One is all, and everything is Brahman. Brahman is everything that exists, everything one can sense: everything is divine. The Noble Savage means the closer one is to nature, the better that person is as a person; it is said that person is “in touch with Brahman”. According to Bryant’s famous poem To a Waterfowl, “There is Power whose care teaches thy way along that bathless coast-” This Power is equivalent to Brahman, equivalent to the Noble Savage. “Soon the toil shall end […]” but Bryant says one will just be brought to “the abyss of Heaven”. To a Waterfowl is a romantic poem that leads a creature to peace and happiness by consuming the words and meaning of the poem. It brings one into a compatibility and likeness with nature, as do Rousseau, the Buddhists and the Hindus. Humans are born well, but being outside of their innate environment and placed into a society turns them into an unnecessary evil. The way to become a Noble Savage is to become one with nature and follow human instinct and be in touch with Brahman. Today, a waterfowl would be destroyed among the obsessions of the modern social world, including internet, rebellion, and war. Nature is thought of as a subject of science and the past, and people are leaning towards complete technology throughout the planet. If only this hemisphere believed all is one and humans all belong to nature, the world would be a much different place.
William Cullen Bryant had the ability to put romantic, Hindu, and Buddhist ideas into one stanza of his poem To a Waterfowl. The entire stanza states, “There is a Power whose care teaches thy way along the pathless coast, desert and illimitable air; lone wondering, but not lost.” The waterfowl was using its instincts to guide him along. The Hindus refer to this power as Brahmin. They believe that all is Brahmin and this includes one’s instincts or intuitions. The pathless coast, desert, and illimitable air are all romantic because they are apart of nature. By soaring through the air and flying along the coast and desert, the bird became one with nature. “Lone wondering, but not lost” refers to a common Buddhist idea. Buddhists do not believe in having something to strive for in life. The waterfowl is physically flying alone in the ski but is not lost because it has no destination. The journey is it’s destination.
William Cullen Bryant is the first American Romantic poet. In his poem “To a Waterfowl” Bryant uses the concept of a higher Power to explain his theme of a universal consciousness. Like Bryant, philosopher, Benedict Spinoza believes in a universal consciousness. Spinoza states that “If everything that happens in the universe can be explained in terms of scientific laws and mathematical equations, it would seem that we no longer need God to function as any part of the explanation.” Spinoza makes people wonder that since science and math can not explain everything then there must be a higher Power of some kind that influences the way people act and speak. Spinoza’s idea relates to the Romantic concepts in Bryant’s poem. In the poem a lonely waterfowl is making its annual migration trip. Bryant writes that “There is a Power whose care / Teaches thy way along that pathless coast- / The desert and illimitable air- / Lone wandering, but not lost.” (13-16). Math and science can not explain the bird’s migration; it is just something in nature that happens. It could be that an outside force governs the bird’s instinct to migrate. In this stanza, “a Power” refers to a universal consciousness. William Cullen Bryant expresses Romantic ideals in “To a Waterfowl”.
In William Cullen Bryant’s poem, “To a Waterfowl,” the bird’s migration represents the cycle of life. When Bryant states that the waterfowl is “lone wandering but not lost,” he is implying that people live through their lives just to live, but they are not wandering aimlessly; there is a purpose, which is to make it to the next stage of life, where one can rest and be peaceful. This next stage is symbolized by the bird’s destination, his “summer home” where he can rest. Bryant also implies that although the “dark night,” or death, is near, the “welcome land” is waiting at the other end. However, through the bird’s travels, a hunter spots him, and wants to shoot him. This can be connected to William Wordsworth’s poem, “The Tables Turned.” The hunter, who symbolizes people who think with reason instead of instinct, wants to “murder to dissect” the bird in order to learn. Bryant uses his poem “To a Waterfowl” to portray Romantic views on life and death. At the same time, he references the scientific views of Enlightenment thinkers.
“To a Waterfowl”, a poem by W.C. Bryant, shows Romantic ideas that in becoming one with nature, one receives a state of enlightenment. The poem depicts a waterfowl that does not question its actions. The reason behind its seemingly wandering actions is what Bryant calls, “a power” which is the waterfowl’s inner conscience or instinct. Bryant believes instincts “teaches thy way along that pathless coast” or guides someone or something (like a waterfowl) in the right direction. The waterfowl represents all animals with instinct that have a high level of enlightenment and consciousness because of their connection to nature. Bryant’s Romantic ideas are similar to the Hindu idea that Brahman is everything and therefore everything is divine. The old Hindu texts, the Upanishads say, “Those who see all creatures in themselves and themselves in all creatures know no fear.” Meaning if a person connects themselves to nature and all life forms they will have no fear, giving them the ability to act upon instincts and not reason. Another figure from the time period who shared similar views is Spinoza who believed that all is one and that human actions are an illusion because we cannot conceive a higher level of consciousness. He said, “Yet nature cannot be contravened, but preserves a fixed and immutable order” meaning humans can not prove nature wrong because it determines all actions. Since nature is divine, understanding it will bring a person closer to their own instinct and reach a state of enlightenment. The enlightenment comes from breaking free from reason, becoming one with nature, and acting without inquiring.
In the poem “To a Waterfowl” written by William Cullen Bryant, death is transparent. Some may believe that the waterfowl flies around everyday and lives his own life because it is what God has told him to do or because of natural instinct. However, the bird knows where to go because God is natural instinct and natural instinct is God. Hindus have confidence in the idea that everyone should use instinct instead of thinking the situation through. They feel that it is important for an individual to just know how to act on intuition because truly “thinking” is not considered a higher level of thinking. Therefore, the waterfowl never doubts his awareness because it uses intuition. The fowlers signify death in this poem. When the poem connects the intentions of the hunters with the life of the birds, it portrays the natural born instincts that the waterfowl has which ultimately leads him away from death. If the bird had chosen to go against his instincts, not only would he be going against intuition, but he would also be going against a higher level of thinking, which was known as the period of enlightenment. The Upanishads philosophized, “The self is one. Ever still, the self is swifter than thought, swifter than the senses. Though motionless, he outruns all pursuit. Without the self, never could life exist.” This statement implies the basic belief of Spinoza that god is not outside the world, he is not inside the world, he is the world. Since the waterfowl have overcome the fear of death and the fowlers below them, they follow their natural instinct and connect it with the romantic idea that all is connected with nature.
William Cullen Bryant’s “To a Waterfowl” contains many Romantic elements. Throughout this poem, Cullen uses the waterfowl, an element in nature, to symbolize one’s existence. Learning a lesson from nature is a key aspect in Romanticism. The waterfowl uses instinct and intuition to fly safely. The narrator of the poem thinks about the mystery of the waterfowl’s migration. William Cullen Bryant relates the waterfowl’s instinct and intuition to a universal consciousness in the fourth stanza when he states “There is a Power whose care teaches thy way along that pathless coast,--“(Lines 13-14) The “Power” guides the waterfowl through its life. William Cullen Bryant is comparing one’s interactions with those of the waterfowl’s. Although one has no instinct to guide oneself to safety, there is a universal consciousness that will help them. Bryant’s entire last stanza demonstrates this statement saying “He, who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright.”(Lines 29-32) He, being the universal consciousness, will help guide one to safety.
In his “To a Waterfowl,” William Cullen Bryant expresses the theme of following intuition as a natural guide. Bryant questions the reason for which birds migrate and relates this journey to life. Waterfowls migrate because it is their natural instinct. However, Bryant writes, “There is a power whose care teaches thy way along that pathless coast,--.” By saying this, he questions whether or not there is a connection between nature and God, implying that they are in fact one in the same. From a Hindu perspective, it seems clear that the “power” Bryant refers to is Brahman, a supreme consciousness. The Isha Upanishad states that, “without Self, life could never exist.” Bryant writes, “He, who, from zone to zone, guides through the boundless sky thy certain flight, in the long way that I must tread alone, will lead my steps aright.” This suggests that the waterfowls’ instinct to migrate, and even Bryant’s natural instincts, may be the intuitions of Brahman. Rousseau, one of the first Romantic thinkers, explains that the only way to express oneself is to follow natural instincts, not reason. He believed that the “shackles of civilization" destroy intuition. The migrating birds are not civilized, and therefore are still able to follow intuition and escape the suppression of true feelings that Bryant faces in his own life.
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own'd.
jesus payton get spell check
julie, you are out of control. spell check is useful at times, just so you know.
i would like to see clean pork and raptor jesus in a virtual steel cage match. i got money on raptor jesus. first he slaughters you, then he forgives you.
William Cullen Bryant’s poem “To A Waterfowl” exemplifies some key characteristics of the Romantic era. The entire poem refers to a bird’s flight, which shows a principal feature of Romanticism. Bryant shows the reader that waterfowl are beautiful creatures in nature and need to be learned from, in order to learn more about oneself. Bryant says that the bird will “scream among [its] fellows.” This exemplifies the need for passion and emotion in a time where everything was based on order and structure in the Enlightenment, another aspect of the Romantic era. Bryant creates the bird in his poem as a symbol of nature. When the bird is “swallowed up” by “the abyss of heaven” and vanishes from sight, Bryant says that one will remember what the sight of the bird taught him and inspired him to understand about life and death, similar to the effect of nature on Romantics. Bryant also makes a strong connection between the bird and man in the last stanza. He notes that the power that brings the bird through the dark sky to his final end is the same power that will guide and guard man through his own path through life. This “power” can be viewed as Brahman in the Hindu culture. Bryant’s poem can be viewed as a prime example of Romantic literature.
big bucks, no whammies.
Through the eyes of a romantic thinker, the bird’s journey in the poem “To a Waterfowl” symbolizes the personal journey one takes to achieve Nirvana. In William Cullen Bryant’s poem, the waterfowl relies on his instinct while migrating to his “summer home” where he can “scream among thy fellows and reeds shall bend soon o’er thy nest,” (Bryant lines 22-24). This summer home reflects the Hindu paradise, Nirvana, where one is enlightened and free from suffering. While on the exigent path the waterfowl must endure to reach his paradise, he experiences suffering from the want for his journey to end. A Hindu believer can identify the similarity to the cravings one experiences before reaching Nirvana. Hindus believe that the journey is what is important, not the goal. The Chandogya Upanishad teaches one that “the act done with knowledge, with inner awareness and faith, grows in power.” The bird learns to free himself from his longing to reach his final destination and to enjoy and learn from the journey there. When he does this he reaches his paradise, as one reaches Nirvana.
In “To a Waterfowl”, a poem written by William Cullen Bryant, a bird’s migration is a symbol for a man’s life journey. Just as a bird follows its instinct to guide it “along that pathless coast”, [line 14], or along its migration, a man must use his intuition to guide him through life. The fundamental target of migration for a bird is to find “thy sheltered nest”, [line 24], and the underlying ambition of a man in his life journey is to attain a higher level of consciousness. Just as migration is a back and forth process “from zone to zone”, [line29], between north and south and hot and cold, a man’s journey through life must also be a continual back and forth process between levels of consciousness, between light and dark until finding a balance in pure being. This relates to the infatuation with the ideas presented in eastern texts and religions such as Hinduism and Buddhism that Romantics held. For example Isha Upanishad portrays the concept of moving past the light into pure being, or pure self in line 16 “O nourishing sun, solitary traveler, controller, source of life for all creatures, spread your light and subdue your dazzling splendor so that I may see your blessed Self”. The migration of the waterfowl is an easily identifiable symbol of the life journey of a man due to the shared oblige to one end aspiration.
Anonymous is taking over this blog.
"To a Waterfowl", by William Cullen Bryant, is thick with symbolism, but the most prominent is his connecting to enlightenment with the waterfowl's migration. Once a person is enlightened, they are considered a pure being, acting only on instinct and emotion. The person would just simply go without thinking, much like a bird migrating to a new location, as represented in line 8, "Thy figure floats along.", and again in line 16, "Lone wander, but not lost.". Bryant is trying to relay that Enlightened individuals do not have the same problems others may, where their decisions and choices are conflicted with emotions and doubts. They are almost immune to such issues and are not weighed down but such distractions. Because of this seemingly pure way of living, Enlightenment is something all Romantics wish to attain, as expressed in many works written at the time. The bird in this case represents this level of consciousness by being so attuned to nature and acting on instinct. "All day thy wings have fanned, at that far height, the cold, thin atmosphere" (Bryant line 17-18) reinforces the idea that they are one with nature, for this can be interpreted as describing how they live life in this world without any difficulties that are expected, ie. cold, thin atmosphere. Thus, the waterfowl symbolizes enlightenment through its' actions as seen by the writer.
對水鳥
幾塵土
William Bryant’s poem “To a Waterfowl” correlates quintessential Romantic views into one simple, but thought-provoking poem. Language becomes one of the major outlets to portray Romantic views in Bryant’s poem. Throughout the poem questions are constantly proposed leaving a mystique of mystery and ambiguity. Likewise one important characteristic of Romanticism is mystery, such as the obscurity of death and life. “Or where the rocking billows rise and sink on the chafed Oceanside?” This question philosophically brings a mystery to where life will take the waterfowl. Whether the waterfowl will make it to the chafed Oceanside becomes and remains a mystery of life and the future. “To a Waterfowl” contains numerous comparisons to nature and the happiness it brings. Moreover, to a Romantic nature resides as the epicenter of happiness. “Seek’st thou the plashy brink of weedy lake, or marge of river wide.” This quote expresses the waterfowl looking for a place to inhabit and be happy. Most birds usually fly for a purpose. Whether it is for sanctuary or for food a bird always has a reason to fly. Therefore, the waterfowl flying to a place of nature shows how nature will bring the bird well-being, safety and eventually happiness. Romantics believe in the idea of following your instincts and expressing yourself liberally. As the waterfowl seemingly flies freely through the sky, a hunter continuously hunts the bird. “Vainly the fowler’s eye, might mark thy distant flight to do thee wrong.” This quote shows the hunter stalking the bird, never truly letting it be free and follow its instinct. The hunter prohibits the bird from fulfilling everything it could truly be. The language of “To a Waterfowl’ completely relates to various Romantic characteristics.
As depicted through numerous poems similar to “To a Waterfowl” by William Cullen Bryant, nature plays a significant role in Romantic literature. Romantic authors often illustrate the association between nature and life itself as a theme. William Cullen Bryant does exactly this in his powerful poem about a waterfowl. Bryant exemplifies a sense of security in life through a state of universal consciousness when he writes, “There is a Power whose care teaches they way along pathless coast… long wandering, but not lost,” (Bryant 13-16). Believing in a universal consciousness provides an abundance of hope when one’s intuition is doubtful. Throughout the poem, Bryant illustrates the bird’s destination to be unknown; similar to the mysterious ending of humanity. This meaningful poem can entirely support the intriguing mystery of the journey throughout life.
William Cullen Bryant’s “To A Waterfowl”, written in the Romantic period, evidently represents examples of Romanticism throughout. Bryant mainly connects the poem to nature and human life. The poem is about a bird’s migration from east to west. One can easily see this act of migration as symbolic of life. Throughout the poem, Bryant hints to the bird’s path of life, or his eternal consciousness. As this path is continuous, although with some stops, it parallels to the continuous path of life. The quote “There is a Power whose care teaches thy way” illustrates a concept of universal consciousness, which guides the migrating waterfowl through their arduous migration.
In the poem To a Waterfowl, WC Bryant expresses ideas from romanticism and Hinduism throughout each stanza. Bryant expresses, through a small portion of the poem, that there is a Power that moves one forward. The line “there is a Power whose care / teaches thy way along that pathless coast” portrays that. One of the key concepts of Hinduism is the idea of Brahman, which is the “ultimate sacred power that is the source of the universe”; to a Hindu, this Power that Bryant speaks of is Brahman, and the course the waterfowl takes to migrate is comparable to the life of a human. Hindus believe strongly in the idea that a part of Brahman exists in everyone, and that Brahman is everything, so one could speculate that the determination the waterfowl has to reach his final destination is exactly the same as Brahman compelling a human to move forward and succeed in life. Like Hinduism, romanticism is another idea that is clearly touched upon within Bryant’s poem. The line “in the long way that I must tread alone/will lead my steps aright” hints at the romantic idea that instinct is more influential and important to life than any means of reason and logic. The idea that the speaker must undergo this journey alone directly parallels the many romantics of the time who pushed their unorthodox beliefs on those who did not believe in anything that opposed realism. Also, the speaker of the poem asks the waterfowl “seek’st thou the plashy brink/of weedy lake, or marge of river wide”, in other words asking the waterfowl what it is he imagines to find. The speaker wonders if the things the waterfowl sees are compelling him to move forward. Romanticism is solely based on the imagination, so this line could also be compared to the idea that throughout the life of a true Romantic, he must have faith in the idea of using imagination and use his beliefs to help him push romanticism. Whether one decides to look at this poem with a Hindu perspective or with a romantic perspective, the fact that the migration of the waterfowl symbolizes the life of a human will always be found.
hahahaha anonymous!
and mr. farley, what is a redux?! if you were trying to spell redo.. i'm not quite sure what to tell you :)
In “To A Waterfowl”, by William Cullen Bryant, limitlessness is manifested as a prominent idea reflective of romantic literature. Bryant says, “There is a Power whose care teaches thy way along that pathless coast—the desert and illimitable air,” and stresses the lack of structure and boundaries. This brings on the Romantic-era mystery and the analysis of the philosophy of the reader’s own life, just as the narrator is comparing the bird’s journey to his life. If there are no boundaries in the paths people can take, why are they not lost? Bryant’s poem concludes “He, who, from zone to zone, guides through the boundless sky thy certain flight, in the long way that I must tread alone, will lead my steps alright.” It seems to be providing closure that this “He” or “Power” as a universal instinct will guide him through the infinite roads of life. This universal instinct is parallel to the Hindu Brahman. Brahman works as the intuition that supposedly leads Hindus to their ultimate destination of enlightenment, because everything is Brahman and Brahman is everything. The Isha Upanishads ask the question, ”How can the multiplicity of life delude the one who sees its unity? “ The question applies to “To A Waterfowl” seeing that it muses on the limitlessness or “multiplicity of life”. The Upanishad states that a path of unity, or Brahman, strays someone away from confusion. “Bryant’s poem’s analogous ideas state that the universal instinct will steer a person through the unbounded trials of life.
In William Cullen Bryant's poem "To a Waterfowl", Bryant embraces the wonder of natural instinct, using the birds in his poem as a way to propose his ideas. It is a mystery how these animals instictively know the righ path that will guide them to warmer weather. He knows not what they look for, saying "Seek'st thou the plashy brink of weedy lake, or marge of river wide, or where the rocking billows rise and sink, on the chafed oceanside?" This lack of knowledge of their ways allows him to use his imagination, as well as expand his desire for knowledge. He does so by examining and watching nature. Bryant permits himself to form a possibility that "There is a Power whose care teaches thy way along that pathless coast" and suggests that the Power causes him to follow his instinct, daring him to crave the knowledge about nature and its mysterious ways.
The brief, yet powerful poem To a Waterfowl by William Cullen Bryant illustrates the essential Romantic idea of humans and their deep connection to nature. It compares the migration of the waterfowl to the journey of life. But what is it that tells these birds to migrate, or what forces people to follow their instincts? It could be explained through the idea of universal consciousness, where everything is divine. Therefore, when humans reach this state of universal consciousness, they are certainly in touch with their personal instinct. They have evolved from lowest level of pure ignorance into acting purely on intuition, eliminating any doubt present. To a Waterfowl’s final stanza states, “He who, from zone to zone, guides through the boundless sky thy certain flight, in the long way that I must tread alone, will lead my steps aright.” This power that forced the birds to act on intuition led the lonely creature in the darkness of the sky to its ultimate destination, as intuition leads a human through their troublesome journeys. Eastern Hinduism introduced the idea that all is one, and everyone must experience the cycle of birth, death and rebirth. The teachings of Hinduism, described in the Isha Upanishad, address the belief in finding the path that avoids doubt and sorrow, “O god of fire, lead us by the good path to eternal joy. You know all our deeds. Deliver us evil we who bow and pray again and again.” Romantic philosopher Jean Jacques Rousseau explains how beneficial it is to be close to nature while also in touch with instinct. Rousseau stresses the importance of man being a noble savage and expressing their true emotions. He believes that humans used to be good but were then corrupted as they grew up in society. Rousseau feels that the closer one is to nature and the primitive state, the more the person will be in touch with their instinct. William Cullen Bryant emphasized the ideas and beliefs of Romanticism and Hinduism when he wrote his influential poem, To a Waterfowl.
Throughout William Cullen Bryant’s poem, “To a Waterfowl,” the true meaning and reality of life is questioned. The migration of birds is symbolism for everyone’s journey through life. Even in the first line of the poem Bryant makes a relation between nature and the eventually progression to death or a time of unhappiness by saying “Wither, midst falling dew” (1). The falling dew represents the years that pass closer to old age and eventual death. Wither also promotes the idea that the quote shows age is progressing because wither means to fade. Fading away in this case refers to the journey of one’s life and how death inevitably occurs. Also later on in the poem he makes a references to the harsh road in which life can lead. This demonstrates how there will always be highs and lows that people must fight through as well. This interpretation is shown through Bryant’s quote “Or where the rocking billows rise and sink”. He also makes reference to how during life people may feel lost and abandon by the world, but no matter what the circumstance God is always with them. Bryant expresses this idea throughout the fourth stanza. The belief that God not only is with everyone during their hardships, but leads them through their problems is also demonstrated, when Bryant states “Guides through the boundless sky thy certain flight” (30). God (Brahman) is the one that is alluded to as far as whom guides a person during their life. During this poem William Cullen Bryant truly exhibits the questions every person has about their life at one time or another.
Eastern romantic William Cullen Bryant was the first American to write literature that reflected the views of romanticism. “To a Waterfowl” was one of many of Bryant’s poems that centralized on spiritual instinct or intuition. This universal conscience, “He who, from zone to zone, guides through the boundless sky thy certain flight(lines 29-30)”,
that is portrayed throughout the poem illustrates the path that people with reason are guided down toward their next stage of existence. The more in tune one is with their spiritual intuition, the closer one is to achieving the purpose of existence. The waterfowl in the end of the poem moves on but “the lesson thou hast given, and shall not soon depart (lines 27-28).” Therefore, all nature exists in harmony due to a shared instinct, in this stage and the next. Bryant, like the philosopher Spinoza, refers back to a universal consciousness being all encompassing. This universal consciousness is portrayed as the “ Power whose care teaches thy way along that pathless coast — the desert and illimitable air ( lines 13-15).” This overarching spiritual instinct guides each of us through this life and the next whether consciously known or not.
Dirty beef/clean pork would win. Well, first Raptor Jesus would kill it, then it would be sent up to heaven where it would become a Killer-Pig-Cow hybrid and kick some jesus ass.
you guys are all really cute. and btw. i think snorlax would win a cage match anyday. LOLCATZ.
William Cullen Bryant’s poem, “To a Waterfowl,” contains many symbolic elements. One of which is the Waterfowl’s migration. It details the bird’s fascinating journey into the great beyond, “As, darkly painted on the crimson sky,thy figure floats along.” which one could say represents the tumultuousness of life from a romantic perspective. It showcases the interaction between man and nature as well as the mystery of life itself. For example, “And soon that toil shall end” literally means that soon the waterfowl will meet his destination, however one could argue that this line has a hidden meaning. Perhaps Bryant is not referring to the conclusion of the journey, but to death. That the toil that is life does come to an end. With that ending comes a new beginning by romantic ideas, more levels of consciousness. Just as existence goes on so does the poem to dictate that, “the abyss of heaven Hath swallowed up thy form...” This quotation displays Bryant's romantic perspective on the uncertainty of an after life. Romantics believed that, just as this waterfowl’s living did not cease to exist neither does man’s when he dies; however they viewed it as an abyss, a deathless, uncertain, vast, mystery. Ones existence just reaches a new level of being. Levels being so infinite that the greatest is pure existence.
Bryant’s poem, “To a Waterfowl”, is best understood as a Romantic piece. His use of mystery illustrates the lessons manifest in the majesty of nature. He writes in the fourth stanza: “There is a Power whose care teaches thy way along that pathless coast”. A virtuous force guides this bird, referenced in the title, in the right direction. The capitalization of the word “Power” suggests a divine or spiritual being is directing the bird on this course. This reflects the fundamental Romantic theme that following one’s intuition is the way to spiritual enlightenment. His distinct syntax is revealed in the seventh stanza: “Thou'rt gone, the abyss of heaven hath swallowed up thy form”. It is strange to describe heaven as an abyss; something understood as an unfathomable chasm. This may be Bryant asserting that no matter how much a person tries to understand it, the world beyond death will always be unpredictable and incomprehensible to the human mind. The bird leaves and Bryant does not know where it is going. This is the same as when a human dies and has no idea what will happen in the afterlife. Romantics always speculate about the great beyond and Bryant’s poem, “To a Waterfowl”, illustrates their elegant opinions on life and death.
I disagree completely. I believe Raptor Jesus would be obliterated because clean pork would enlist the help of his allies, Brahmin, Ninja-Bush, E.A. Poe, Global Warming, and the dude that invented envelopes in order to defeat his ultimate enemy.
i would like to conclude with this picture:
http://ww1.prweb.com/prfiles/2005/11/22/314319/SamUgliestDogLulu.jpg
In the poem To a Waterfowl written by William Cullen Bryant the element of symbolism is incredibly prevalent. The contrast between the bird and man is muted when the link between a bird’s migration from north to south is juxtaposed to man’s journey through life to death. The romanticism idea of life reflecting itself in nature is shown through the symbolism of bird and man A bird and man are both emotionally and physically taxed when on their journey. “All day thy wings have fann'd At that far height, the cold thin atmosphere: Yet stoop not, weary, to the welcome land” The bird symbolizes man on his strenuous journey through life with the promise of heaven or eternal bliss at the destination. Another idea of romanticism is to learn lessons from nature and incorporate those lessons learned into everyday life. The bird learns the lesson of perseverance from nature when migrating from north to south while man in his last days of his journey welcomes his new stage of life. In Hindu beliefs when one dies, they finally become eternally connected and united. “And themselves in all creatures know no grief. How can the multiplicity of life Delude the one who sees its unity?” the Upanishads see the similarities between nature and man, how they go hand in hand. The fact that when one dies no matter their physicality they along with others that pass are one, a fact that is not ignored in To a Waterfowl. Once the bird completes its journey, it is rewarded by finding the warm south- a permanent summer. Even though the bird went through many hardships through its journey, it was worth the reward. The bird reflects man’s voyage through life and how all of the problems and trials of life there is a reward at the end, whether that be heaven, unity or eternal bliss. “And soon that toil shall end,
Soon shalt thou find a summer home, and rest, And scream among thy fellows” Once one dies they are able to finally rest from the daily stresses of life reach the privilege of heaven and unity.
this is because i was absent on monday and didnt get the assignment til today :]
In William Cullen Bryant’s “To be a Waterfowl,” an understanding from the Spinozian perspective is demonstrated. In Spinoza’s eyes, God is everything, therefore, God is instinct and instinct is what guides human beings. A waterfowl never doubts their instincts because they do not doubt God. In the last few lines of Bryant’s poem, he states “He who, from zone to zone, guides through the boundless sky thy certain flight, in the long way that I must tread alone, will lead my steps aright.” This statement is a comparison between the bird’s life-long journey and a humans life-long journey. In the Upanishads, it asks for “O God of fire, lead us by the good path to eternal joy. You know all our deeds. Deliver us from evil, we who bow and pray again and again.” It asks for the God of fire to lead them through to path to joy, from a Spinozian perspective, everything is God; therefore, God is joy. Furthermore, the romantic characteristic, spirituality is illustrated throughout “To be a Waterfowl.” Bryant compares the waterfowl’s trip to get where they want to a human being’s journey in life. However, from a Hindu perspective, consciousness is telling the waterfowls what to do and when to do it. In Bryant’s, “To be a waterfowl” the ideas of Romanticism, Hinduism and Spinozian beliefs are all tied together and illustrated.
Methinks that we getting too far over our heads with this. I went extinct for your sins, and was resurrected into a Emu. Thereby, there shall be no fighting. However,remember that the Flying Spaghetti Monster is my father, therefore I "pwn U N00b5".
-Raptor Jesus " Went extinct for your sins"
disagree with everybody....ugliest man ever
http://weblogs.newsday.com/news/local/longisland/politics/blog/george-w-bush-picture.jpeg
nope.
http://bp3.blogger.com/_3lxP9r6O2Qo/SFFREIIsqXI/AAAAAAAAAGs/FBj6hnxK8II/S220-h/jim1.jpg
ugliest human ever is there. ^
skokos you're not funny, pretending to be raptor jesus.
raptor jesus. STFU. l0lz.
I am not this one who the mammals call Skokos, nor will I ever be. I am a divine carnivorous reptile that shall devour your soul the one called Anonymous!
You have brought upon the wrath of Raptor Jesus upon you, prepare to be devoured!!!!!!!!!!!!!!!
this isnt skokos. you're just really annoying. so maybe you should stop.
yeah luke... give it a rest already.
yepp. luke you should stop right about... now. you always have to have the spotlight, don't you.
Anonymous - no one is as mean as all of us.
no we're not mean we're just simply saying that luke needs to stop. hes way too full of himself.
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